Exhibitions

2024

Spring

Spring

Library Street Collective

Mar 4, 2024 Apr 26, 2023

Library Street Collective is pleased to present an exhibition with Houston-based artist Paul Kremer titled Spring and opening Saturday March 4th. Featured in the show is a new body of paintings dependent on experiments in tool-making. The apparent simplicity of the works belies the complexity of Kremer’s artistic process, which involves extensive planning and cyclical methodologies that blur the line between beginning and end. For each of his paintings, Kremer creates dozens of studies, often starting on the computer with a burst of exploratory drawings, which are then narrowed down to smaller selections for execution as color studies done on paper or smaller canvases. The featured body of work takes this process one step further: using AI ChatGPT, Kremer programmed a set of digital tools that allowed him to manipulate inputs of shapes and palettes into rapidly-changeable randomized compositions, which could then themselves be selected, adjusted, and manipulated into different variations based on one theme. Excited by the outcome, he collaborated with fellow artist and programmer Leander Herzog to expand these tools into an entire suite of personalized art-making software. The result is a unified but endlessly variable set of possibilities for future bodies of work, based on a process that allows for both creation and re-use, as well as both generation and derivation. Insinuated by their titles, the “Blooms” are abstract representations of flowers, and their origin is influenced by Henri Matisse’s découpés, a monumental series of work characterized by bold uses of color and organic, reduced forms. Matisse’s use of paper cut-outs in his later career allowed him to experiment with color and composition by easily shifting pieces around to find the perfect arrangement, building upon his existing visual language. Kremer mimics this process but through contemporary technology, illuminating the timeless conceptual foundation upon which his practice is built. As was true for the late artist, color is a crucial component of Kremer’s practice and the driver in achieving the essential degree of visual impact: “Matisse’s careful choreographing of palettes, his ability to convey a distinctive feeling with bold objects on flat planes of color, and the relentless positivity that emerges from his work have all been an inspiration to me. His color combinations are incomparably beautiful and surprising—even colors that don’t seem to work together, in every case, do.” Kremer underscores his admiration for Matisse’s ability to “make simplicity look simple,” a mastery that mirrors his own operative efforts. Spring sheds light on Kremer’s often curtained tendency to alternate between the physical and the digital. Beyond giving people a positive feeling when encountering the works, the artist hopes his audience will take the time to consider their process of creation, and how—in Kremer’s case, with the development of new tools—one’s own ideas can serve as catalysts for countless more.

2025

Beneath Our Feet

Beneath Our Feet

Library Street Collective

May 31, 2025 Jul 30, 2025

Library Street Collective is pleased to present Beneath Our Feet, a two-person exhibition with LaKela Brown and Mario Moore. Bringing together a mix of painting and sculpture, the pair of artists collaboratively examine the symbolic intersections of land, economic agency, and narrative authorship. Brown and Moore both hail from Detroit, a city whose legacy of industry, labor, and cultural production deeply informs each artist’s distinct practice. In Beneath Our Feet, they reflect on the wealth held in the earth beneath us—and the enduring question of who holds the rights to till, own, and shape that land. Through materially rich processes and symbolically layered imagery, they consider land not just as property, but as history, inheritance, and possibility. While their reflections speak broadly to the Black American experience, they are simultaneously rooted in Detroit’s local terrain, where stories of migration, ownership, and resilience are embedded in the landscape. Brown’s sculptural reliefs recall ancient modes of visual storytelling, such as hieroglyphic carvings or cuneiform tablets, while drawing on imagery rooted in 1990s hip-hop culture. In her latest works, she centers subjects of deep personal and cultural resonance—often objects familiar to her family that have long been excluded from formal art contexts—as a way of locating herself and her community within the art historical canon, advancing a visual language that is both accessible and affirming. Like Brown, Moore’s paintings brim with objects significant to the Black diaspora, from watermelon, emblematic of the economic agency of Black men in the Antebellum South, to hibiscus, a symbol of resilience. His new works draw on the tradition of Dutch and Flemish devotional painting—particularly garland paintings—redirecting reverence from religious icons to symbols of land, labor, and self-determination, and in doing so, inspiring a reconsideration of what society deems worthy of veneration today. At the heart of the exhibition is The Smoke Coin, a striking 60-inch bas-relief coin, cast in bronze, collaboratively conceived by Brown and Moore, with each artist having developed one side of the sculpture. For his contribution, Moore has created a portrait of Brown, adorning her with door-knocker hoop earrings, cornrows, and a hoodie. Her profile echoes the conventional format of traditional American coinage, confronting the historic absence of Black women in national symbolism and positions of authority. On the opposite face, Brown depicts a bundle of collard greens—a recurring motif in her work that evokes memories of her grandmother, a lifelong chef, and the meals that shaped her upbringing. Arranged in a bouquet-like form, they serve as a signal of nourishment, and a poignant reminder of the vital interdependence within a community when existing societal systems fail to offer support. A meditation on value, Beneath Our Feet prompts viewers to consider the foundations of our lives, both literal and metaphorical, and to imagine new systems of worth rooted in care, ancestry, and balanced power. Referencing time-honored methods, the creations of Brown and Moore serve as both technical showcases and acts of reverence. Beneath Our Feet is on view at Library Street Collective from May 31–July 30, 2025 at Library Street Collective.